trad. Appalachian
All my friends fell out with me
because I kept your company
let them say whatever they will
I love my love with a free good will
Chorus:
1 I love
2 he loves
3 he's true to me
They tell me he's poor
and they tell me he's young
I tell them all to hold their tongue
if they might part the sand and the sea
they might part my love and me (Chorus)
It's over the mountains he must go
because his fortune is so low
with an aching heart and a troubled mind
for leaving his love so far behind (Chorus)
It's when the fires all cease to burn
and when the seas to ice to turn
when all the rocks all melt in the sun
my move for you has just begun (Chorus)
Lyrics from Sheridan Cosy's Lyrics
trad. Scottish
Waulking Songs and Information
White the sheep that gave the wool
Green the pastures where they fed
Blue the skies above the pool
Where at noon they made their bed
Sing the garden of the sea
From whose flowers we won the dye
Sing of sea-tang wild and free
From our misty Isle of Skye
Light the hearts that love the sea
Brown the face that seeks the sun
Brown and happy, here we are
Singing till our task is done
Move the web towards the sun
Round the table, thump and rub
Stretch and clap till all is done
Stretch and clap and thump and rub
Now is waulked the web we spun
Winter storms may rave in vain
Bless the work by which we won
Comfort from the wind and rain
Lyrics from Waulking Songs
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E-mail: info(at)stevetapperandshelleyotis.com
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The following are written by both us, and our friends
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Steve and Shelley’s music offers a mix of flute, harp, and vocals, with the occasional modern ‘panpipes’ (glass bottles). Scan through the genre links on the menu to view specific songs.

Steve Tapper, wooden flute
Shelley Otis, folk harp & vocals
all songs arranged by Steve Tapper and/or Shelley Otis
Call (781) 344-2023 or
E-mail: info(at)stevetapperandshelleyotis.com
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Originally from rural Illinois, Shelley holds a bachelor’s degree in piano performance from Vanderbilt University’s Blair school of Music. After graduating, she began working at Plimoth Plantation, role-playing one of the Pilgrims and taking care of the farm animals there. She also began to study the music of 17th century England, and joined an a capella group called For the Nonce which sings in historic costume for museum events and tavern dinners. She found that folk music satisfied her musical spirit more than her classical studies had and has since learned to play the harp, mountain dulcimer, and several other folk instruments. Her other interests include dancing and dance music, historical agriculture, writing stories and poetry, gardening, and being outside.
As a classically trained pianist, Shelley grew up playing music by composers such as Bach, Chopin, Beethoven and Mozart. After graduating from college with a degree in music, she pursued a life-long interest in history and began work at Plimoth Plantation, a museum about the influences of English settlers on New England and the Native Wampanoag people living there. Unexpectedly, she found a book of 17th century English folk music among the training manuals.
Shelley had always felt unconfident about her voice, but she began to sing for visitors to the museum, figuring her job was to portray real people who wouldn’t have had vocal training, rather than displaying vocal finesse. The more she sang, the more she loved it—and she also received positive feedback from the people around her. One visitor around the age of nine said, “You should go professional!” After thinking, “yeah, right,”—for when she was in high school she took a voice lesson where the teacher said “some people don’t have ‘it’”—she later joined a pilgrim singing group, For the Nonce, that sings for Plantation functions and tavern dinners. After spending years studying about classical piano, she was delighted to be paid to sing folk-songs in a historic costume.
Once introduced to folk music, Shelley couldn’t get enough of it. She learned to play the tabor pipe, a traditional instrument amongst English commoners in the 17th century, as well as the tin whistle and mountain dulcimer when a dear friend gave her one in 1999. Soon after, Shelley decided it was time to follow her dream of learning to play the harp. It wasn’t long before she realized it was a perfect fit, and she has been playing the harp ever since. Shelley also enjoys playing a modern folk instrument she has named “big recyclable glass pan pipes,” otherwise known as beer bottles. Her other interests include dancing (especially Scottish, English, and Contra,) writing poetry and stories, historical agriculture, gardening, and being outside.
In this duo, Steve focuses on several kinds of wooden flutes; however, he plays the entire flute family, recorders and bass guitar and is also a composer and arranger. Since 1986, he has been part of a duo with guitarist Audie Bridges. Tapper and Bridges have performed through the United States and have released three highly acclaimed compact discs. In recent years, recorder virtuoso John Tyson has been performing several of Steve’s compositions internationally, and Tyson is currently recording a CD of Tapper’s compositions and arrangements. Steve Tapper and guitarist Robert Tarchara co-lead a Brazilian music quartet. They have written a book of flute and guitar arrangements of classical pieces published by Santorella Press. He also plays bass in a “retro-rock, blues and country” band called the ChillyHeads. Steve is a graduate of Bates College and Berklee College of Music and lives in Stoughton, MA.